Description: Nate Ruess (February 26, 1982) is an American indie/indie pop singer-songwriter from Arizona. Nate was the singer of "The Format" and currently lead vocalist of the band "Fun".
His vocal style has been praised for its "unreachable moments of vivid theatricality to the most raw intensities", resembling that of Tracy Chapman or Freddie Mercury from Queen. (Wikipedia Notes) Also looking at his pictures, he reminds me of Mick Jagger or Steve Tyler with that wide smile and look. I hope you enjoy this tutorial. Please fav, vote, and comment. Thank you all. Peace and love to you.
Description: Here is the outline done with a 0.7mm mechanical pencil. Look closely and see if your lines look something like this. You can erase if certain areas like the eyes or nose don't line up. Take you kneaded eraser and dab off the shadow outlines or dark lines with your kneaded eraser for a more realistic look as you shade. Shading transition from dark to light (or visa versa) should be smooth... no harsh lines. Be patient with this, it's not as complicated as you may think. As you do more pictures, this will come easier to you.a
Description: This time Acrylics has won! Sandpaper, the new kid on the block has to take a back seat to my wonderful Titanium White or Opaque White Watercolors for HIGHLIGHTS! Yaaaa! Try it, you'll like it!
Description: The picture that goes with this step shows two different ways to hold your pencil to acquire certain effects. OVERHAND: Holding a sharpened pencil in normal writing form with fingers in the middle or near the lead gives you great control and thin/detailed strokes. UNDERHAND: Holding the pencil at a 45 degrees or near level to the table with end of pencil under your palm with pencil on the flat side, gives you large shading coverage. With the No.2 pencil, you have the exposed lead side to shade with. But for a wider swath, use that Cretacolor Monolith graphite pencil with no wood casing. The whole sharpened portion is all lead, like in the step's picture. Practice the toning values to help you with control
Description: PENCIL STROKES & TONE, SHADING, TEXTURE -- For your convenience, I have inserted this step with different pencils, strokes to use. And you can study the shapes that make up this drawing universe, along with tone, shading, and texture.
Description: Best thing you can do when drawing hair is to establish the general shape then work in the main strands of hair by holding your pencil at a 45 degree angle for stroking and coverage. Then, as in the third picture, you can work in more details. But here's a TIP! Don't draw a straight line for the hairline. Do tiny strokes to represent beginning of hair at its root. Look at real people and see their hairline isn't a straight line. Practice and your picture will look more realistic.
Description: The picture here is a great exercise for value shading. I've got a little secret tip for you to make things easier. You can download this to your desktop. First click on the picture to have access to full size. By right clicking on your mouse, you can select "Save Image As." It should save to your desktop.
Description: After printing out a number of the above template, practice shading in the values like this picture. You become familiar with this shading technique that gives you more control and confidence.
Description: This is the first start with the pastel application. If you do the whole picture in a pencil sketch, this is where you would sketch in small circles or lines to shade the areas. It would take hours upon hours to cover all that area with a pencil. I chose to shade with pastels. In a few strokes I've got area coverage. Applied medium & dark gray to face and neck. Medium to dark gray to his hair and T-shirt. Looks like a mess, but that's how a some beginning projects will appear. Keep patience with you and keep applying those layers of whites, grays & blacks. You'll have a great outcome.
Description: Here I used my blending stump to "draw" in more lines, add more shading to his hair eyebrows, side of face, neck and T-shirt. I needed to whiten areas like some hair strands and catch lights in his eyes and did this with a kneaded eraser.
Description: I first applied black pastel to his hair and shaded face (it lightened as I blended). I took charge and grabbed my 9B Graphite Crayon and smoothly blackened those areas in! Then I took my blending stump to give more depth to his hair, eyes, nose, lips, neck, and t-shirt. After those adjustments, I sprayed the picture with "Krylon Workable Fixatif" to adhere the pencil & pastel to the paper for a non-smudging and workable surface.
Description: I added background with a medium gray pastel and rubbed softly to get that blended effect. At his shoulders, I added a hint of dark gray and used a blending stump to give it depth. Since spray was applied earlier, the outer edges of his hair and shoulders will not smudge if I slightly blend over it.
Description: Basically, I added more highlights with Opaque Watercolor to the catch lights in his eyes, added more light stray hairs and shine, gave a little shine on his lower lip--looks like lip gloss to me. Now Nate "pops" out! You can use the original background in Step 21. This background was cloned from the reference pic to add drama and save time. Now, To help out with specific areas of highlights, tone, texture, etc., the next two following steps will show you.
Description: Click on this picture to see how Tone, Shading, Texture, and Reflective Light affects Nate Ruess (Frontman for the band Fun), who is an amazing songwriter and singer! I am closing out now. But you all have been wonderful and it has been a great pleasure to do this tutorial with you. Please fav, comment, and show your love here. And I will definitely reply back soon or eventually. Love, peace, happiness, success, and more beautiful days to ya! *hug* *blowkiss*
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